Museum Private  /  Frames & Mirrors  /  Zanzibar Royal Carved Frame
Zanzibar Royal Carved Frame — hand-carved mongongo wood, one of one, carved at Mwenge, Dar es Salaam, Tanzania
PM-FRM-0016

Zanzibar Royal Carved Frame

Carved by Michael Mtungwa Shija
الإطار الملكي الزنجباري المنحوت
EUR 24,000
Approx. AED 99,000 · SAR 101,000 · QAR 98,000

Description

Mongongo wood. Length: 214 cm (inside 173 cm) · Width: 179.5 cm (inside 137 cm).

The piece

A broad flat frame with a continuous carved border in the Zanzibar manner: repeating geometry and foliage, cut shallow and even, running without a break around all four sides. Supplied empty, for a mirror or a canvas of your choosing.

How it was made

Zanzibar door and frame carving is laid out before it is cut so that the pattern meets exactly at the corners. Getting all four corners to close is the whole test of the work.

Provenance

Carved at Mwenge, Dar es Salaam, Tanzania, by the carvers Museum Private has worked with for more than ten years. Acquired directly from the workshop; no intermediate owner. Sold by Museum Private.

The wood

The material itself is the value. Ebony and mongongo of this size are no longer a commodity; they are a find.

Why the wood is what it is: the climate. Long dry seasons stop the tree's growth and the rains start it again, year after year, so the rings close up tight instead of running loose and wide. That is what density means, and density is what makes the difference between wood that holds a cut and wood that crumbles at the edge of one. A dense trunk takes the fine detail, takes the polish, and moves less in the years afterwards.

A piece like this needs one trunk, of one diameter, sound all the way through. Trees of that size are no longer standing where the workshop can reach them. Finding a single usable trunk now means going hundreds of kilometres for it, looking at many and buying one, and carrying it back whole. Every piece in this collection began with that journey, before a chisel was lifted.

This is why the dimensions cannot be matched to order. The widest drum, the tallest column, the longest panel: each is as large as the tree allowed and no larger. Ask for the same piece ten centimetres wider and the answer is not a price; it is that the tree does not exist.

The tradition

Carving is not a general skill in Tanzania. Most peoples do not carve at all; only a few hold it as an inheritance, and each of those has a hand of its own, recognisable at a distance. This piece belongs to the carving of the coast and of Zanzibar, which is a different inheritance from the Makonde one and a different hand.

Coastal carving is geometric and repeating rather than figurative: borders built up with the gouge, laid out before a cut is made so that the pattern closes exactly at all four corners. It comes down from the carved doors of the old town, and it is passed on the same way, master to apprentice, over generations. Getting the corners to meet is the whole test of the work.

What is ending is the generation. The men who cut these pieces are the last at Mwenge working at this level, and almost no one is coming up behind them. Museum Private has worked with this workshop for more than ten years and has watched the apprentices stop arriving: the years of unpaid small work before a carver is trusted with a trunk are years the young will not now give. When these hands stop, the work stops with them. These thirty-five are not a collection assembled to be sold; they are what that generation left.

Condition and care

Dust with a dry soft brush. Have mirror or glass fitted locally to the internal measurement. Supplied with a certificate of origin.

Delivery

We deliver across the GCC. The arrangements are confirmed in writing with each sale. Scaled for a majlis or a reception room rather than a corridor.

A note on climate: solid hardwood in a room held at 20°C by air conditioning will lose moisture faster than it did in Dar es Salaam. Keep the piece out of the direct path of a vent and away from a window in full sun. Hairline movement along the grain in the first year is the wood settling to the room, not a fault.

Terms

One of one. Numbered and recorded in the Museum Private register, and supplied with a certificate of origin naming the wood, the workshop and the carvers. Solid hardwood throughout, no veneer and no composite. Delivered across the GCC.

Price ex workshop. Anything payable at the destination is confirmed in writing with the quotation.

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